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About Greg Gibson

When it comes to photojournalism, Greg Gibson has seen it, done it and been there.

A two-time Pulitzer Prize winning photographer, his 25 year career encompasses hundreds of national and international stories while working for some of the largest news organizations in the world.

His travels have taken him to all 50 states and nearly every major city in the world. Throughout his career Greg Gibson has been known as a photographer who consistently delivers photographic excellence from any situation.

Since 2003 Greg has turned his cameras towards documenting special days and events in the lives of families throughout the Washington area. His no-nonsense approach and candid, emotion-packed images have made him one of the most sought after photographers in the United States.

2010 Speaking & Workshops

Mystic5 - Mystic, Ct. Jan 3-5

Imaging USA - Nashville, Tn Jan 10-12

The Foundation Workshop - Dallas Feb. 21-26 

WPPI - Las Vegas March 4-11

Other dates coming...

News

Named Washington's Top Rated Wedding Photojournalist by Washingtonian Bride & Groom Magazine 2009

"The only thing we needed to know about Greg was that the largest news organization in the world trusted him to cover the President of the United States. If he can handle that pressure, he can certainly handle our wedding."  - Tim McCaughan & Kristan Biggars 

Monthly Archives: March 2009

Back to Weddings

We’ve had several clients complete their albums recently so I thought I would share a few of those pictures.

0018Emily & Josh
June 14, 2008
The Union League
Philadelphia, Pa

Emily and Josh were one of my favorite couples from 2008. They had a beautiful, elegant wedding at the historic Uniion League in Philadelphia. I love shooting weddings in Philadelphia. The churches are all magnificent and there are some incredible venues.

The downtown area is also fantastic to shoot in. There are some great urban landscapes.

Emily’s mom, Sally, is also one of my favorite mothers-of-the-bride. Sally and I hit it off right from the start and she booked me over 16 months before the wedding date.

We had a beautiful June day and found lots of little nooks and crannies to shoot in along the alley-ways surrounding the Union League to make pictures in.

Here are a few of my favorites they selected for their album.

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Emily and Sally get the dress ready.

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Josh found some peace and quiet in the shower of his hotel room.

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The guys waiting for the big event.

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Josh waits to see Emily for the first time.

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Beatiful backlight makes the Uniion League Stairway all the more dramatic.

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One of those "urban landscapes" I was talking about.

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Practicing first dance between the columns at the Wannamaker Building.

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Getting some help with the veil before the ceremony.

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Emily and her dad have a moment just before walking down the aisle.

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Josh couldn't keep his eyes off Emily as she came down the aisle.

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A moment every girl dreams about.

A little quiet time on the balcony of the Union League during cocktails.

A little quiet time on the balcony of the Union League during cocktails.

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First dance.

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Sneaking a peak at her humongous cake.

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Father of the Bride toast.

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A nice father-daughter dance moment.

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Emily's brother showing off his dance moves.

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Grandparents showing some dance moves of their own.

Something New – A Bris!

Katya nurses little Ilan before the Bris.

Katya nurses little Ilan before the Bris.

March 19, 2009

When Katya and Arthur called to ask if I could photograph their newborn son’s Bris, like most guys I winced a bit. A Bris, or “Brit Milah” is the Jewish ceremony of circumcision. I have never photographed this type ceremony before, nor had I ever even seen it performed.

Katya and Arthur are both photographers themselves, so pictures of important moments in their lives are a priority for them. Particularly important moments involving their brand new first child.

Like me, they love storytelling, documentary photography. It is always very flattering when other photographers ask me to photograph sacred moments in their lives. It does come with a certain amount of expectation and pressure, but what higher compliment can one photographer give to another than inviting you to record such moving events of profound personal significance.

Typically a Bris takes place 8 days after the birth of a male child. It is performed in the home by a religious person known as a “mohel”. The ceremony takes place in the presence of friends and family and is followed by a meal. Some may wonder how a procedure like this can be performed outside a hospital or pediatrician’s office, but after witnessing the event I can think of no better venue. I am reminded of my own children undergoing this procedure in the hospital nursery, alone except for the doctor and nurse. Little Ilan, the name chosen for him by Katya and Arthur and given to him during this ceremony, underwent this meaningful rite of passage surrounded by the love and warmth of the people who care for him most.

One of the things I admire about Judaism is the importance placed on the involvement of family in all religious ceremonies.

It was a very touching and emotional event to say the least.

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Getting dressed after one last diaper change.

Arthur couldn't take his eyes off of his young son.

Arthur can't keep his eyes off his young son.

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Plenty of doting grandparents.

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Arthur's parents.

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Katya's mom.

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Katya (R) and her sister.

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One last bit of quiet time.

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The new family.

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I love this quiet little exchange.

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One of my favorite images.

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The time has come. Arthur takes the baby downstairs.

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Emotional moments for the family as the mohel works quickly. It's over in seconds.

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The family prays together after the circumcision is performed.

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The mohel provides a comforting finger to suckle.

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Katya and Arthur embrace as the mohel says a last prayer.

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The Woolly Mammoths Road Trip – The Final Day

February 21 – Part 4 of 4
Jump to Part 1.
Jump to
Part 2.
Part 2 Addendum is here.
Jump to Part 3 here.

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A small fishing boat maneuvers around Horseshoe Bend at daybreak. The first light of the day is making the cliffs glow red in the distance.

When you stand on the bluff overlooking Horseshoe Bend, near Page, Arizona, you truly come to understand why words like “immense” were created. I’m a true believer that pictures speak a thousand words, but pictures don’t do this view justice. It is almost incomprehensible what an awe-inspiring vision this is. It is something that truly has to be witnessed first hand to fully appreciate.

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My shadow on the rich red sandstone. Just a few feet from the edge the view is hidden.

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The walk down the hill to the bluff is pretty unassuming. It gives no clue of the magnificent secret that is kept at the end of the trail. It’s about a 3/4 mile walk from the parking lot. First up a fairly steep sandy hill, then down a rocky sandstone trail with reddish-gray rock everywhere. There are some beautiful cliffs off in the distance but they pale in comparison to the real treasure found at the end of this short hike. It’s only within the last 20 feet or so, as you climb the short rock ledge up to the edge of the bluff, that the view finally gives way and yields this gem of geologic marvel.

While awesome, it raises the hair on the back of your neck in more ways than one. Like the Grand Canyon, there are no guard rails. There is nothing to prevent a fall if you misstep. The bluff at this vantage point is about 1000 feet above the river.

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Move down.

Move down.
Adam Finch and I were the only ones of our group to make it down to the overlook. Parker Pfister had walked about halfway, but he was nursing a pinched nerve in his ankle that required him to walk with a cane, or a 54inch tripod, whichever was most convenient at the time. After making it to the crest of the hill, he decided it was smarter for him walk back down now fearing that he may not be able to make it back up the hill on departure. Parker had visited Horseshoe Bend before, so it wasn’t quite the disappointment for him that it would have been for me not to make it.

Unbelievably, as we stopped at the crest of the hill to catch our breaths, a stranger that had been coming up the trail behind us walked up, pointed at Parker and asked, “Aren’t you Parker Pfister?” I’m mean, c’mon now. Two rockstar sightings in two days out in the middle of no where. Like before, it turns out this guy had been at WPPI and had seen Parker speak there. Small world, eh? Of course I spoke there too and he didn’t recognize me!

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Adam titled this image "Twittering on the Edge". After noticing I had cell coverage at the overlook, I posted a tweet that said "Greg is standing on a bluff overlooking Horseshoe Bend and the Colorado River". Several people wrote back that the post was useless without pictures. Here they are! I look like Yoda in red with my $5 Walmart hoodie. At least I was warm.

Marcus and Jason, however were the real victims on this last day of our trip.

After leaving Antelope Canyon the night before, we decided that since we were in Arizona, we had to get some Mexican food. We found a bustling little cantina in nearby Page boasting “Authentic Mexican Cuisine”. I guess maybe it was a bit too authentic as both Marcus and Jason came down with a very, very nasty case of food poisoning.

It was pretty late when we finished eating and we were all beat. Once we got situated into a hotel, everyone went straight to bed. We had another 545am wake-up and our plan was to be at Horseshoe Bend by sunrise. There was no socializing until the wee hours of the morning like the previous night.

Sometime just after 2am Marcus and Jason both became violently ill. When I came down to load the truck early the next morning, Marcus was stretched out on the bed looking pretty worn down. It was an unfortunate way to spend the last day of our trip. We still had some pictures to make but we also had about a 9 hour drive to get back to LAX for our red-eye flights home. As Marcus wrote on his blog, he spent most of our last day together asleep in the car or wishing that he was.

The guys were real troopers though. We left the hotel pretty much on time and they slept in the car as Adam and I made our way down to Horseshoe Bend precisely as the sun was coming up over the mountains behind us.

Photographers are trained that the best light is always at sunrise and sunset, and most often that is true. As we headed down to the overlook I was envisioning the bend in full early morning sun. What I didn’t count on was how deep the canyon was. As the sun rose in the sky there was a huge shadow in the canyon and on the river. The top of the bend was in full bright sun. It was nearly impossible at that point to make a usable image without resorting to some high dynamic range tactics. I was glad that I had made a sequence of images earlier when the sun first creeped over the mountain and splashed light on the distant hills. As it turned out, our first opportunity was our best.

Adam and I kept hoping the sun would rise quickly and fill the bend with light, but after two hours of wishful thinking we decided to head back to the car, feeling a little guilty about our sick and injured friends.

A fishing boat heads into the golden reflection of the canyon wall in the morning sun.

A fishing boat heads into the golden reflection of the canyon wall in the morning sun.

A pretty interesting vantage point for another photographer not in our group.

A pretty interesting vantage point for another photographer not in our group.

Adam Finch at the overlook at sunrise.

Adam Finch at the overlook at sunrise.

0000627148_g1_2155_1549162After getting back to the car, Adam and I found that Marcus and Jason were still having a rough go of it. We loaded up, got in the car and prepared for the long drive from Page to Los Angeles.

Jason had mentioned earlier in the trip that he really wanted to see a bit of Americana. Part of our trip would run parallel to historic Route 66, made famous in John Steinbeck’s Grapes of Wrath. There was considerable discussion in the car about getting off the Interstate and driving a portion of Rt. 66. Parker and I were a little nervous about it as we had a lot of ground to cover in getting to LA.

At this point I had pretty much done all of the driving. From Vegas to Springdale, Utah to Page, Arizona. About two hours after leaving Page I had reached the point that I could barely keep my eyes open.

We stopped for gas about an hour from Flagstaff.

There was a little coffee shop next door to the gas station, so those of us that could still stomach food decided now was a good time to grab a little breakfast. The ladies working the grill were making some delicious looking breakfast burritos.

Move down.
Move down.
Movedown 

Parker's Spam filled burrito.

Parker's Spam filled burrito.

Adam and I each ordered one. Parker ordered one too, but he got SPAM instead of sausage or bacon. I hadn’t seen nor heard about Spam since I was a kid. I’m not talking about the email Spam, I’m talking about the canned meat Spam which is rumored to be able to outlast a cockroach following nuclear holocaust.

After breakfast Parker agreed to drive for a while. I just didn’t think I could keep my eyes open for many more miles and needed a nap. I was already asleep by the time our wheels hit the Interstate again.

About two hours later I woke up just as Parker was pulling the truck into quaint little Seligman, Arizona. Rt. 66 runs through the heart of Seligman and the town has made an industry out of preserving this historic stretch of highway.

Ordinarily I would have been all over this town making pictures. I was so tired and groggy when we pulled in that I didn’t pull the camera out until about 20 minutes after we got there. We only spent about 30-40 minutes there total. Fortunately Jason was finally starting to feel better at this point and we all wanted him to enjoy this real taste of Americana, even though we were on a tight travel timeline.

I probably didn’t walk more than 100 yards away from our car. I was so tired I just couldn’t get into it. Seligman is definitely a town I would like to return to and spend some time in. It looked like a lot of fun. Even though I didn’t shoot as enthusiastically as usual, I did manage to make a few worthwhile images.

 

Studebaker outside The Rusty Bolt.

Studebaker outside The Rusty Bolt store.

Motorcyle on the roof at The Rusty Bolt.

Motorcyle on the roof at The Rusty Bolt.

Biker driving down Rt. 66 in Seligman.

Biker driving down Rt. 66 in Seligman.

Among friends outside the Rusty Bolt store.

Among friends outside the Rusty Bolt store.

Marcus seeking comfort for his tummy ache.

Marcus still hurting from food poisoning and catching a few Z's wherever he can.

J-Starr not looking like a happy camper.

J-Starr not looking like a happy camper.

Adam doing a little shooting and shopping.

Adam doing a little shooting and shopping.

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P-Diddy.

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Marcus finally starting to come around just before leaving Seligman.

A cool sequence of images Parker shot in a dry creek bed beside the Interstate.

A cool sequence of images Parker shot in a dry creek bed beside the Interstate.

After leaving Seligman, we hit the road for good headed straight to LAX. We stopped a time or two for food and fuel but the photo-ops were pretty much over. Parker did find a nice little dry creek bed beside the highway once when we swapped drivers, but for the most part we were all ready to put the long drive behind us. We got into LA on schedule and didn’t run into any traffic hassles. We cruised right into the rental car drop-off and after re-packing our gear, boarded the shuttle bus to our respective terminals.

This is where the first annual Roadtrip of the Woolly Mammoths comes to a close, and perhaps fittingly so. Each of our airlines were in different terminals. As the shuttle made its way through the airport, we parted company quickly, efficiently and without much fanfare. A gruff uncomfortable man-hug here,  a handshake there – enlightened heady goodbyes were exchanged like “had a great time” and “it was a blast”. Pretty soon Marcus, Adam and Jason were checking in to their Quantas flight, Parker was getting comfortable over at US Airways, and I was boarding United flight 44 on my way home to rejoin my family.

The Woolly Mammoths Roadtrip Part 3

February 20 – Part 3 of 4

Jump to Part 1.
Jump to Part 2.
Part 2 Addendum is here.

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Marcus parades through a wonderfully serene setting in the middle of nowhere.

We had just spent a great morning in Zion National Park photographing some beautiful and rugged scenery. The decision had been made that we would drive 3 hours to Page, AZ to visit Antelope Canyon in the afternoon.

We were already late leaving and were pushing it just to get to Page in time to even see Antelope Canyon before sunset.

Just after leaving Zion we passed a beautiful open field covered in snow. It had the most gorgeous perfect blue sky overhead. Immediately cries go out “stop the car, stop the car”. Cries shoot back “we don’t have time, we don’t have time.” There wasn’t much battle to be fought on this one so we pulled off the road and grabbed the gear.

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Marcus and Parker are raving about the landscape that is laid out before us. “This is the most beautiful place I’ve seen on the whole trip” they both say. After all, they ARE the resident landscape photography experts.

I’m thinking, yeah, umm, okay…white snow, blue sky cool, but it’s a little, ahhhm, empty doncha think? Well, yes it was quite empty and that was exactly the point. What a perfectly serene setting with such crisp, unmarred crystal white snow.

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Parker shooting along the roadside in Utah.

As we are all shooting with our back to the road, a car pulls up behind our Ford Expedition. A guy jumps out with a camera.

He says “I figured if I see Parker Pfister shooting something beside the road, then I better stop and shoot it too.”  Turns out this guy had been to WPPI and recognized Parker from his speaking engagements there.

Figure those odds, here we are in the hills of southern Utah, miles from any civilization, and one of the few cars that passes by is driven by someone that recognizes Parker. There’s a rockstar moment for ya.

We continued to work this scene for a bit while Parker and his new friend did some catching up. We couldn’t waste a lot of time here however, as our mission for the afternoon was to arrive in Page by 4pm. If we didn’t make it by 4, we were afraid we wouldn’t be able to get into Antelope Canyon.

Move down.

Move down.

Antelope Canyon has a bit of an interesting story. The canyon sits on Navajo territory and the local Navajo tribe there runs the tour operation. To get into the canyon you have to meet a guide in a parking lot just outside the park.  The guides are usually set up and waiting with their trucks. You just show up, park your car, pay them cash, and they drive you down to the canyon entrance.

The guides usually don’t stay late into the afternoon, especially on a Friday afternoon in February, so we wanted to make sure we got there before they took off for the day. Otherwise we had no access and our afternoon spent driving would be a complete waste.

We finally hit the road for good right around 1:30PM. A little late but not too bad. We had to make a quick hit at a gas station for some food and fuel.

Here are a few last frames before we headed out.

I love this first one of Marcus. Reminds me of Elmer Fudd. “We’re hunting wabbits.”

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That's me ready to catch Jason when he falls. Or should I say catch the moment when Jason falls!

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The gas station we stopped at had quite a lot of character. It was so cool they even had a wooden Indian. I haven't seen one of those in year.

Marcus joking around with the phone.

Marcus making like ET to phone home.

Here's a frame from Parker. Jason Starr waiting for his lunch.

Here's a frame from Parker. Jason Starr waiting patiently for his lunch.

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All the gang outside the entrance to Antelope Canyon in Page, AZ.

The 3 hour drive to Antelope Canyon seemed to take forever. After not getting much sleep the night before, and already being tired from a week in Vegas, I almost has to resort to propping my eyes open with toothpicks. We drove through some very beautiful scenery in southern Utah but we were on a mission to get to Antelope a few hours before dark.

I was SO happy to finally pull into the parking lot, not only because I was tired of driving, but because there were still a few guides there to give us access to the canyon.

Antelope Canyon is a much different place from the immense bluffs around Zion. Antelope is what’s known as a “slot” canyon and is much, much smaller. A slot canyon is created over time by the wear of water rushing through the sandstone. In fact, the area around Antelope is prone to flash flooding and that’s one of the reasons the guides have to drive you to the entrance.

Move down.

That little sliver of an opening behind us in the picture above is the entrance to the canyon. The entire canyon is about one quarter mile in length. There are places so narrow you can extend your arms and touch both walls. At it’s highest point the canyon walls may reach about 100 feet or so above the ground.

Inside the canyon is one of the most breathtaking and tranquil places you can imagine. The canyon walls have been beautifully etched grain by grain by the wind and water over time. The light and shadows created by the narrow creviced openings from above accent the curves and swirls of the sandstone magnificently. We were fortunate that there were no other tourists visiting while we were there. For about two hours, we had the place entirely to ourselves.

We actually got into the canyon around 4:15pm. It was already very dark inside. Supposedly the best time to visit is on bright sunny days. When the sun is high in the sky shafts of sunlight beam down to the ground making the interior landscape all the more dramatic. Even though it was very dark inside, there were still many opportunities to play with the light and texture on the walls.

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Stepping inside the entrance, the first view is spectacular.

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Antelope is a great study in form, light and texture. The very basic elements of photography.

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A couple of Parker's images from inside Antelope Canyon.

Here's Parker doing a little light painting with two video lights.

Here's Parker doing a some light painting with two video lights.

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That's me doing a little Rocky Balboa dance after climbing that steep sandy hill.

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This is a picture I made from up on top of the canyon. This view really shows the large gully where the water that shapes the canyon flows. At bottom right you can see the "slot" or creviced opening that forms beginning of Antelope Canyon. You can also see the circular patterns the guide's vehicles make when they drop visitors off at the entrance. Those teeny-tiny people down below are Parker and Adam. It was a great stroke of luck that we had the whole park to ourselves the entire two hours we were there.

A picture that I made of Parker on the left. One he made of me from that vantage point on the right.

A picture that I made of Parker on the left just after he made the image of me on the right.

Our Navajo guide that drove us out of the park.

Our Navajo guide that drove us out of the park at dusk. A large power plant is at left and is very near the park.

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Power Station at dusk - Page, Arizona

Parker's panoramic version. He is a panoramic machine.

Parker's panoramic version. He is a panoramic machine.

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Parker snagged a nice image of the sky just after sun had set.

The Woolly Mammoths Roadtrip – Post 2 Addendum

February 19-20 – This is an addendum to the previous post
Post 1 can be found here.
Post 2 can be found here.

Parker just sent me a a great set of images from the trip and I wanted to get a few of them up to go with what’s already been posted. A little addendum won’t hurt, so here are a few of Parker Pfister’s images from Day 1 and Day 2 of the Woolly Mammoths Roadtrip 2009.

Day 1

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Marcus grabbing a frame from the truck window at 65mph in Nevada.

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Another view of that gorgeous roadside in Utah at dusk.

A stitched panorama of the beautiful star-filled sky over the canyon walls at Zion National Park.

A stitched panorama of the beautiful star-filled sky over the canyon walls at Zion National Park.

Another view of that gorgeous sky framed by the canyon walls.

Another panoramic view of that gorgeous sky framed by the canyon walls.

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Clockwise from top right - Marcus, Greg, Jason and Adam.

Day 2

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Another panorama stitched from two separate images.

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Same tree as the image above. It's amazing sometimes what a simple change of angle can produce.

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Team photo.

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Marcus was shooting a very serene scene on the way out of Zion when a bus full of Japanese tourists pulled up.

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