Monthly Archives: January 2009

A Never Been Done Before Gets Done at the Inauguration

Historic Obama Swearing-In

As a grizzled old, former news photographer, I often think there is nothing new left to be done when it comes to covering Washington. So many smart and creative people have poured over every nook and cranny of this town it seems as if there is always someone ready to jump up and shout “been there, done that”. All too often we are left with images that are just more of the same old, same old.

My friend and colleague, D.C.-based photographer Chuck Kennedy, proved that if you look hard enough and are diligent long enough, new things are indeed always possible. Doing it in the midst of a massively historic Presidential Inauguration makes it all the sweeter. How fitting that an event of this magnitude is documented with a groundbreaking image such as this.

Kennedy, a photographer for the McLatchy-Tribune News Services, finagled his way into placing a remotely fired camera at the foot of the Inaugural podium, providing a never before seen perspective of a Presidential swearing-in. It’s a photograph that will certainly go down in history as an image of record from one of the most significant events in American politics.

The image shows Obama with his hand on the Lincoln bible, held by his wife Michelle as daughters Malia and Sasha proudly look on. The dome of the US Capitol stands magnificently in the background against a beautiful wintery blue sky.

What makes this image special, besides the unique camera position and angle, is that the closeness of the camera conveys an intimacy that no other pictures from the Inauguration captured. The fact that little Sasha is standing on a small riser so that she can be seen from the main camera platform adds a refreshing sense of innocence to a solemn and dignified event. It’s a very personal view into the beaming faces of our new, history defining first family.

It is a moment that personifies a moment so many in our country thought they would never live to see.

Kennedy said he started working on obtaining permission just after Obama made his acceptance speech on election night in Chicago, after “seeing how crazy that event was”.

He began quietly lobbying the Senate Press Photographers Gallery and the Joint Congressional Inaugural Committee, the groups who control media access to the event.

“When the stand was being built, Chuck went out and did test photos to show how dramatic the images could be”, McLatchy -Tribune Photo Service managing editor George Bridges said in an interview with NewsPhotographer Magazine. “He took photos from previous inaugurations showing that there is a lot of equipment there (speakers, mikes, teleprompters) so a camera there would not be a distraction.”

As a final touch Kennedy enlisted the aide of Chief White House photographer Pete Souza, who cleared the idea with the first family and convinced Obama Press Secretary Robert Gibbs to support it.

[caption id="attachment_931" align="alignleft" width="500" caption="The now infamous rig. Photograph by Chuck Kennedy"]Kennedy Camera Setup[/caption]

One of the main objections to the camera placement was the possibility of distracting camera noise interfering with the audio of Obama taking the Oath of Office. To counter any noise objections Kennedy fashioned a home-made camera “blimp” out of a Pelican case. The camera was sealed inside the case and the heavily padded foam liner kept any shutter noise contained. A hole was cut into the side of the case to accommodate a 16-35mm lens.

Kennedy chose a Canon 5D Mark II camera for the job. The camera was outfitted with a Canon WFT-E4 transmitter and was hard-wired with ethernet cable to a DSL line at his camera position. This allowed for immediate image transmission back to the McClatchy-Tribune bureau. Kennedy also hard wired the remote trigger to avoid the possiblity of RF interference preventing the camera from firing. The cable run was about 250 feet to Kennedy’s elevated position behind the platform and was done a week in advance.

The camera itself was supposed to be mounted the night before, but due to inclement weather the White House delayed setting up the podium until early the next morning. Kennedy arrived at the event site at 4:15 am and gained access to the stage around 5:30am to begin setup.

[caption id="attachment_944" align="alignright" width="300" caption="Chuck Kennedy installing remote camera at 5:30am."][/caption]

The camera was mounted via a Bogen Magic Arm to a metal plate that was screwed into the floor. He powered the camera with an AC adapter out of fear the cold weather would sap the batteries before the event began.

Kennedy says he “had no idea the image would receive so much play”. As part of the arrangement for the exclusive access, the image had to be “pooled” or shared with other media outlets, including the international wire services such as the Associated Press, Getty and Reuters.

“My wife went onto the Newseum website this morning and counted 124 newspapers that ran the image on the front page”, he said. “I’ve never made a picture that got this much attention.”

Congratulations Chuck, you’ve done something all photographers strive for, but few actually accomplish. You’ve gained photographic immortality through the eyes of history.

The Newseum is a great resource and includes a section that displays the front page of every major newspaper in the world. I’ve included a few front pages below to show some of the different ways the image was used. All of these front page images came from the Newseum site.

 

The Midland Daily Times liked the image so much they turned the newspaper on it’s side to run it.
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A sampling of front pages from Honolulu to North Carolina:
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Some papers chose a rather extreme crop to make the image fit the entire front page from top to bottom:
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Justine & Gary – The Slideshow

I just realized that I didn’t post the slideshow links yesterday.

There are two options for viewing the slideshows from Justine’s wedding. You can view the full, epic cinema version by following the link below. Personally I think the full version is the best viewing experience, but be forewarned it’s long at about 20 minutes. This is the version I gave Justine and Gary.

FULL SLIDESHOW – VIEW THE EPIC MOVIE VERSION HERE.

The shorter highlights version is available at the link below. The highlights run about 10 minutes.

HIGHLIGHTS – CATCH THE HIGHLIGHTS HERE.

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Justine Ungaro and Gary Kordan – The UnBride Wedding Part II

This is the second of two articles from Justine Ungaro and Gary Kordan’s wedding. Yesterday I posted images from the getting ready, first meeting and portraits. Today I am posting images from the ceremony and reception. Please see the preceding post for more information about the wedding.

Justine wipes a tear from her Dad’s eye before walking down the aisle.

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Gary greets everyone as he arrives for the ceremony.

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As I mentioned yesterday, we had a great team in place for the event and for the processional, team work really paid off. Kurstin took a high angle and made this great overall of Justine and her dad walking down the aisle. I hung in the back with the two of them to catch those last bits of emotion. You can see Charlie down in the center aisle getting the head on view.
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Here’s my view from behind showing Gary’s face as Justine walks toward him.

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Justine has to be one of the luckiest people I know. She and Gary had some of the most beautiful light I’ve ever seen at a wedding. Just after she walked down the aisle, the sun gave her veil the most beautiful soft backlight.
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Lisa Loeb sang during the ceremony. How cool is that!
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Again, talk about beautiful light. Just as Lisa started singing the sun dropped just below the tree line and illuminated Justine and Gary’s faces with this gorgeous warm, late afternoon glow. I love this picture because you can see the tears forming in their eyes. Lisa sang “First Day of My Life” and it was very emotional for everyone.
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Even flower girl Zoe was emotional during Lisa’s song.
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Justine’s sister Lauren was probably the most emotional of all.
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Halcyon House in Georgetown made for a dramatic backdrop.
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Jubilant ending. The party is about to start.
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I love this little two picture sequence. You get a real feel for the rush of emotion that happens after a wedding. The emotional weight and magnitude of the event is quickly followed by defiant joy.
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As I said, Justine is one of the luckiest people I know. Just after the ceremony we found a little sliver of beautiful light. We used this last remnant of a spectacular day to make one final set of gorgeous portraits.
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John Farr Lighting bathed the reception room in this spectacular pink wash of light.
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I believe the dog belonged to Kara DiGuardi, who was also a guest at the wedding. Kara is the new judge on American Idol. Justine used the back alley at Halcyon for an outdoor cocktail area at the reception. The moon made for a nice twilight image along with John Farr’s uplighting on the walls.
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Justine’s mom was having a great time.
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The father-daughter dance.

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Justine and her mom shared a nice moment after all the parents jumped into the honors dances.
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Loved this beautiful found moment that shows off Justine’s dress.
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Another sequence I liked that shows the roller coaster of emotions. This was during a song played by a couple of guys that work with Gary. They aren’t professional musicians but learned the play the ukulele specifically for the wedding so they could sing this song. It was a really special moment in the evening.
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Justine and Gary give Josh and Shane some love after the ukelele performance.
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Justine and her mom were blowing kisses at me from the dance floor.
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One of my favorite detail images. Justine and Gary made a cool wedding logo that was a replica of the old CBGB logo.
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Cake cutting. Justine had a beautiful cake from Fancy Cakes by Leslie.
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Sharing a very intimate dance late in the reception.
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This is one of my favorite images of the day. Celebration at the end of a very emotional dance.
032 A collage of some of my wedding industry friends at the wedding. Going down the left column, Steve Dunn, Well Dunn Catering, Laura Weatherly (L) of Engaging Affairs dances with Catherine Johns from the Park Hyatt Hotel, Nicole Canning (center) dancing with Catherine Johns (L) and Beth Fisher (R) from Blue Sky Films, Laura Weatherly dancing with her husband and photographer Juan Carlos Briceno.

Going down the right column, Sara Muchnick of Engaging Affairs and new fiancé Levi Brandriss in the photobooth, photographer Steve Canning with wife Nicole, Martin Andrews (R) and Beth Fisher of Blue Sky Films, and of course Justine’s mom, photographer Diana Adams.
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The grand finale. You Shook Me All Night Long led by Gonzo’s Nose band and new American Idol Judge Kara DiGuardi.
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The big finish.

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The UnBride and I butting heads.
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Justine Ungaro & Gary Kordan – The UnBride Wedding – Part I

This is the first of two articles from Justine Ungaro and Gary Kordan’s wedding. There are too many great images from this wedding to put into one post. Today I’ll publish the getting ready, first meeting and portraits. Tomorrow I’ll put up the ceremony and reception.

openerUsually it doesn’t take us 3 months to turn around a wedding, but this is Justine Ungaro, the UnBride after all. Justine is a well-known photographer in the DC area recently relocated to LA. Justine has also gained rapid notoriety as the author of the UnBride Blog. What the heck is an “unbride” you ask. Well, here’s how Justine describes it on her blog:

“The Unbride name was invented in part because my last name begins with “Un” and partially since I’ve been to a lot of weddings and seen it all. This blog is all about the design and execution of my own wedding and those of other unbrides…weddings that are both unconventional and unforgettable. I hope you enjoy! “

Let me just say that Justine’s wedding was both unconventional and VERY unforgettable. She has definitely succeeded in fulfilling her UnBride mission statement.

Because of the high visibility of the UnBride Blog and because she is known by so many photographers, we knew this work would be seen by a lot of people. We wanted to take our time on this one and make sure all the images looked great before releasing it to the public.

It’s always flattering to be asked by other photographers to record their wedding day. What higher compliment can you receive from a peer than to be trusted to capture such an intimate and memorable slice of their life? What can be more important to a wedding photographer on her wedding day than the pictures! No pressure, right??? Not to mention that her wedding was a virtual who’s who of some of the best wedding vendors in DC.

I have known Justine since 2003, mostly as a casual acquaintance. Justine’s mom, Diana Adams, has been a highly regarded photographer in the DC area for many years through her Studio Diana. I really got to know Justine last January when she and I attended a photography convention in Tampa and happened to cross paths. We ended up spending a lot of time together and over the past year she has become one of my very best friends.

While in Tampa we talked a lot about her wedding and one day I just said to her “Justine, your wedding is in DC, you should let me shoot it for you.”. The funny thing is, she didn’t answer right away and I was afraid it became one of those awkward moments when a friend offers to do something for you but it’s something very important that you would really rather have someone ELSE do for you…so you end up saying nothing or being non-committal to avoid hurting their feelings! I didn’t think much more about it.

A few months passed and one day out of the blue I got a call from Justine. She told me she really wanted me to photograph her wedding and asked if I still had the date available. I was ecstatic. I had followed her Unbride blog a bit and I knew a little about what she was planning. Given her personality, I knew this would be a fun, perhaps even quirky wedding.

I didn’t get to meet Gary until the wedding day. Actually, the first time I met him was when I came downstairs at the Hotel Helix to photograph their first meeting. It took about 5 minutes to size up the fact that Gary and Justine are the perfect complements to one another. Gary is a television producer and has worked with a lot of people in the music industry. In addition to being a great guy, he shares that same funky, hip vibe that Justine has.

The pictures from this wedding are some of the best we have ever produced. I had some excellent help on this one. Charlie Archambault, one of our associate photographers and a regular second shooter came along as did our production manager and occasional second Kurstin Roe. Kurstin did a great job of finding unique angles and intricate details while Charlie and I took the main positions.

Kurstin also did a fantastic job on the post production. He did the processing and retouching on all of the finished slideshow and blog images. There are over 500 images in the complete version of the slideshow and he put a little love into every one of them. I’ll be posting links to the slideshow tomorrow.

It’s been really hard to edit these images down for a single blog post so I’ve decided to break it into two posts spread over two days. Today I am posting images from the getting ready, the first meeting, and the portraits. Tomorrow I will post the ceremony and reception.

Here is Justine’s “dream team” of wedding vendors that helped pull off this remarkable event.

Planner – Engaging Affairs – Laura Weatherly and Sara Muchnick
Catering – Well Dunn Caterers – Steve Dunn
Hair – Elegant Hair by Giselle – Giselle Chreky
Makeup – Leah McKay Makeup
Flowers – Janie Medley Flora
Cake – Fancy Cakes by Leslie
Band – Gonzo’s Nose
Lighting – John Farr Lighting
Video – Monachetti
Decor – Syzergy Event Productions
Venue – Halcyon House
Hotel – Hotel Helix

Here are a few faves from the first part of the day:

Gotta love the hairspray.
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Justine’s mom greets flower girl Zoe.
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Justine’s “Dorothy” shoes. Okay, they weren’t ruby slippers but they did remind me of them. That’s Justine’s baby boy Oliver checking them out.
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Justine’s sister Lauren and her mom get hair and makeup.
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Giselle Chreky doing hair, Leah McKay doing makeup.
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Justine’s fabulous dress from The White Dress in Corona Del Mar, Ca. and her beautiful black orchids by Janie Medley Flora.
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Justine and her mom have a laugh before taking the dress down for the big moment.
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Shedding some unnecessary undergarments!
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I love how the look on Lauren’s face is identical to the look on Justine’s face.
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This was an important picture and one of the few the that Justine actually asked me to shoot during the day. This happened as Giselle was putting her veil on. Justine told me she wanted to remember this view for the rest of her life.
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The finished product. Justine was my first bride to use a birdcage veil. It was a lot of fun to play with.
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Gary wore a funky pair of black leather Chucky T Converse All Stars (aka Chuck Taylor All Stars) with his Wayfarers.
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Adding the finishing touch.
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The cool car. Pink cadillac, (although it looks green here in the shade). I loved the Elvis touch on the steering wheel.
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I always love the anticipation when couples see each other for the first time.
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Justine twirling in the dress.
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A smokin’ hot, hip couple.
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The Hotel Helix has this strange artwork out front, along with these two giant chairs. The quirkiness of the hotel was another great fit for this wedding.
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Justine kept everyone laughing tossing her bouquet in the air. I have to admit she was worried Janie Medley would be mad with her if she dropped it!
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Some quick portraits in the hallway at Hotel Helix using the existing halogen track lights.
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On to the Lincoln. We were supposed to have enough time to go to 2 or 3 different locations. However (coughcough)Justine was late getting dressed(coughcough) and we lost a lot of our time. When we got to the Lincoln we had about 10 minutes to shoot. That’s where having a team really played to our advantage. We were able to take different angles and produce a diverse set of images relatively quickly.

I shot the long lens.
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Charlie shot wide.
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And Kurstin was able to find something very different.

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One More
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This image in the car on the way to the ceremony is one of my favorites. It took a lot of patience to wait for the right light to combine with the right moment and I love the intimacy.

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Check back tomorrow for the second and final post from this wedding which will include images from the ceremony and reception.

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